Bardo- Tibetan ConceptConcept"The In-Between"
Also known as: Bar-do, བར་དོ, Antarābhava, अन्तराभव, and Antarabhava
Titles & Epithets
Domains
Symbols
Description
At the moment of death, consciousness encounters a blinding clear light — the naked nature of mind itself. Those who recognize it are liberated instantly. Those who do not enter a forty-nine-day passage through radiant peaceful deities and terrifying wrathful visions, buffeted by karmic winds toward rebirth in one of the six realms.
Mythology & Lore
The Dissolution
At the moment of death, the body's elements dissolve in sequence. Earth sinks into water: the dying person feels heavy, as if pressed into the ground. Water sinks into fire: the mouth dries, the eyes blur. Fire sinks into wind: warmth withdraws from the limbs, starting at the feet. Wind dissolves into consciousness: the breath stops.
Then the inner signs begin. A white light like moonlight fills the mind. A red light follows. Then blackness. Then, at the very end, the Primordial Clear Light appears: the luminous, empty nature of mind itself, brilliant and boundless. This is the moment. A practitioner who recognizes the light as the nature of their own mind merges with it and is liberated instantly. Most do not recognize it. The light passes. Consciousness falls into darkness, and the bardo begins.
The Peaceful Deities
The consciousness awakens into the bardo of dharmata, "reality as it is." For approximately two weeks, visions appear. First come the forty-two peaceful deities: Buddhas of five colors seated on lotus thrones with their consorts, surrounded by bodhisattvas, radiating lights so brilliant they are painful to face. Each deity is a projection of the dead person's own enlightened nature, appearing outside because it was not recognized within.
The Bardo Thödol, the text read aloud to the dead, urges the consciousness to look directly into the lights. Do not turn away. Do not shrink from the brilliance. Recognize the peaceful figure before you as your own mind. If the dead person can do this, liberation happens on the spot.
Most cannot. The brilliance is too much. The consciousness flinches and turns instead toward softer, dimmer lights that lead toward rebirth.
The Wrathful Deities
The peaceful deities depart. In their place come the fifty-eight wrathful ones: figures with fangs and multiple heads, wreathed in flames, drinking blood from skull cups, trampling corpses underfoot. They roar. The ground shakes. The consciousness flees in terror.
But the wrathful deities are the same beings as the peaceful ones. The Bardo Thödol says this plainly: these terrifying apparitions are the enlightened energies of mind appearing in wrathful guise to cut through denser layers of confusion. The text calls out to the dead: do not run. What you see before you is your own mind. Recognize it, and be free. The wrathful deities are compassion wearing a terrifying face because gentleness failed.
Yama's Mirror
If liberation does not come during the visions, the consciousness enters the bardo of becoming. It now has a mental body that can travel anywhere in an instant, pass through walls, and perceive the living world without being perceived in return. But it has no control. Karmic winds blow it from place to place. Sounds crash around it. Chasms open.
The consciousness encounters Yama, the Lord of Death, who holds up a mirror. In the mirror appears a complete accounting of the life just lived: every action, every intention. White pebbles and black pebbles are counted. The dead person may protest or deny, but the mirror does not lie.
Drawn by karmic propensities, the consciousness drifts toward visions of beings coupling. Attraction to the mother or father draws it into a womb. Depending on the weight of karma, rebirth comes in a human realm or far worse. Even at this stage, the Bardo Thödol offers guidance: close the womb door, visualize the Buddha, aim for a human birth in a land where the dharma is taught.
The Book Read Aloud
The Bardo Thödol is attributed to Padmasambhava, who composed it in the eighth century and concealed it as a terma, a hidden treasure, for future generations. The tertön Karma Lingpa discovered the text in the fourteenth century. It was designed to be read aloud: a living voice guiding the dead through every stage of the forty-nine-day passage.
The reader sits beside the body, or later beside an effigy or photograph, and speaks directly to the consciousness of the deceased. "O child of noble family, listen without distraction." Day after day, the text names what the dead person is seeing, explains what the visions are, and repeats the instruction: recognize. Do not be afraid. This is your own mind. The dead may not be able to respond, but Tibetans trust that they can hear.
Relationships
- Associated with